A Midsummer Night’s Dream, Act 1, Scene 2
When I heard the Mischief Theatre team were doing a Christmas version of their hilarious hit The Play That Goes Wrong (in my top ten shows of last year in fact), I urged my Mum to book it for the whole family as a Christmas treat – last year we went to see The Scotsboro Boys, a musical which, whilst incredibly thought-provoking, wasn’t exactly a laugh a minute.
Peter Pan Goes Wrong at the Apollo Theatre, however, was exactly the opposite. Not particularly thought-provoking perhaps but packed full of laughs, as the poor Cornley Polytechnic Amateur Dramatic Society attempted vainly to deal with an electrocuted Tinkerbell, an uncontrollable revolving stage, and some incredibly indiscrete voice recordings whilst putting on a Christmas production of J.M. Barrie’s much-loved Peter Pan – not a pantomime as co-director Chris Bean (played by actual co-writer Henry Shields with aplomb – and such stressed tension I’m surprised the vein on his forehead didn’t burst).
Having seen The Play That Goes Wrong I was a little more prepared this time for the pre-show antics in the stalls, but that didn’t make them any less enjoyable – plus I was thrilled to see a certain Fred Gray who I last saw at the Edinburgh Fringe as the starring role in Saucy Jack and the Space Vixens… this was rather more family friendly of course and involved many less drag queens and sudden strip teases as I’m sure parents will be pleased to hear.
The play, once it started, took a very similar format to the original version, as is to be expected, except that the directorial apologetic speech was given not only by Chris Bean but also by new co-director Robert Grove (played with enormous gusto by second co-writer Henry Lewis), with a new dimension of competition added to the mix of theatrical disaster and comedic mayhem. In fact, this play as a whole was much more focused on the behind-the-scenes relationships of the actors as well as the slapstick of the original. Apologies, by the way, for referring so frequently to The Play That Goes Wrong, but it is very hard not to compare, given its obvious connection! I did, however, take my Dad with me who’d hadn’t seen the first play – and as a result perhaps enjoyed the Christmas version slightly more than my Mum, my brothers and I.
Now I’m not saying I didn’t have a great time at Peter Pan Goes Wrong – the production has some genius moments (I loved Dennis (aka Jonathan Sayer the third of the co-writers) who, due to not being able to remember his lines, wore headphones throughout, leading to some great moments as he repeated literally everything he was broadcast). And the cast in general are just so comical and likeable and enthusiastic that I would basically go see anything they were in. All those who had to battle with “flying” across the stage were particularly impressive; I can’t imagine just doing it right is easy, but to deliberately do it badly and make that funny rather than pathetic or frustrating shows serious talent and practice. Greg Tannahill (Peter Pan – at least for most of it) and Chris Leask (Trevor the Techie, determinedly fixing the scenery no matter what else was going on, and forced to constantly step in and attempt to fix things) were particularly skilled at this whole complicated flying-and-banging-into-things malarkey.
I loved the girl power felt between an effervescent Nancy Wallinger as about a gazillion parts, including a feisty Tinkerbell, and the untiring Charlie Russell, heroically tying the whole play together as the flirty Sandra, playing Wendy to several different Peters. Dave Hearn as the shyly smiling Max, playing both Michael and the Crocodile, had the entire audience behind him by the end. Tom Edden was a new and welcome addition to the group as the Narrator, flinging piles of glitter into the air and jolting on and off the stage on his ‘magical’ chair.
What I’m trying to get across here is that all the elements of a great show are here; slapstick chaos reigns on-stage and the characters are foolish, obnoxious and arrogant, but also so delightfully determined to complete their show at any cost that you just can’t help but will them along -a bit like Bottom and the Mechanicals in A Midsummer Night’s Dream. At the same time, for me I felt the focus on the intra-cast relationships sometimes took away from the overall comedy. I always find it irritating in TV shows, like House M.D. or OUAT when the key concept, the originality I started watching the show for in the first episode, becomes lost with writers desperate to focus more on complicated human relationships rather than the plot or the cases or, in this case, the gags.
I mean, maybe I’m just heartless and detached and more interested by curiosities than real personal contact but you know, oh well, I am what I am. And my overriding feelings are that the best moments of this very funny play were when it focused on very small elements (a man dressed as a dog stuck inside a door for example) rather than when it had to take on the big themes of love and jealousy.
Still, the cast are fantastic and the jokes are a-plenty, and it’s a lovely Christmas treat for the family – just remember; it’s not a pantomime.
Peter Pan Goes Wrong at the Apollo Theatre: 3.5/5 stars
(And, by the way, Happy New Year! A round-up of 2015 will be coming soon!)